The calculated organisism showcased in the making of Othyrus is at a complete juxtaposition with the fluidity of form showcased. The mountainous scape portrayed is achieved with the collaboration of 40 separate cross sections, sealed together with the natural force of gravity, singling out the idea of unity, that together we can create majestic things and build strong relationships. In true form with his previous works, the seat is fantastical in it’s re-imagining of the act of sitting, the social environment in which company is shared and the approach to the art of conversation.